You may have got your hands on your first ever Nikon DSLR camera, possibly off our entry-level DSLR guide, but eventually you'll start to outgrow the admittedly good 18-55mm kit lens it arrived with. You'll start to crave a bit more creative freedom, and the next step in your photography career is upgrading your Nikon lens selection.
This is where the magic of photography happens. The lenses are much more important than the camera body they're mounted on, and with all Nikon lenses dating back to the late 1950s being compatible with all their modern bodies the selection is vast.
Unsurprisingly, some of these lenses are better than others. That's where we come in, and here we'll guide you through the must have lenses to add to your collection today!
The 'DX' and 'FX' abbreviations at the end refer to the camera sensor being either cropped (DX) of full-frame (FX.) DX lenses are not fully compatible with FX bodies, but all FX lenses are compatible with DX bodies.
5 Must Have Lenses for Nikon
Best for shooting... anything and everything
I recommend a cheap, fast prime lens to every beginner photographer I meet, and this is one of the best of the bunch. The 'nifty-fifty' used to be sold as an all rounder lens with old film SLRs due to them being easy and cheap to manufacture. Of course, nowadays Nikon (and most other manufacturers) have opted for the convenience factor of an 18-55mm zoom, but the nifty-fifty remains a staple in every professional's camera bag.
This one is the perfect blend of affordability and quality. It comes in at under £200 brand new, and because the camera makers have been perfecting the 50mm focal length for so long the quality is almost unmatchable. In fact, this bargain lens outperforms the lenses such as the Nikon 14-24mm f/2.8G ED and the Nikon 70-200mm f/2.8G ED VRII across the board in technical specifications, and both of those lenses cost over £1,000!
If you're a beginner to photography you might be wondering why exactly you should give up the convenience of a zoom lens. It's a fair question, but once you mount a prime lens to your camera body you soon become acquainted. The sharpness of these compared to any zoom lenses in the same price bracket is unparalleled, and the lightning fast f/1.8 maximum aperture of this means it's a beast in low light situations.
On a DX camera body this becomes a beautiful focal length for portraits and street photography, and can even be used for landscapes and woodland photography. An absolute must for every photographer!
Best for shooting... Travel
Superzoom lenses get a bad rap from professional photographers, and some will actually be offended by me recommending it here. True, their optical performance isn't as good as a monster like the Tamron 70-200mm f/2.8 mentioned below, but they do offer benefits of their own.
The convenience and time saving of these superzoom lenses are the biggest factors. There are countless times when I've been out with family and wanted to change lenses to get a distant shot, but haven't had time because we were on the move. That doesn't matter with these, as we can capture anything from a wide-angle view to a distant mountain with such a huge focal range.
The Tamron 18-200mm takes the top spot in superzooms simply because of it's price. It's comes in at just £179, a full £100 cheaper than it's nearest rival but in no way inferior. Not only that but it weighs just 400g and isn't as inconspicuous as a top of the range telephoto lens.
At such a low price I'd recommend getting one of these just for family days out and holidays. Sure, opt for the high-end gear when you're out and about by yourself and able to take your time, but throw this in the bag on holidays and you won't regret it. It saves having to lug around 15kg of camera equipment every time you leave the house too!
Best for shooting... Macro, Portraits
True macro capability is one of the things that separates more serious camera systems apart from the consumer packages, and for that you need a dedicated macro lens. If you're interested in shooting the world according to ants the Sigma 105mm f/2.8 is the lens you want.
It comes in at a very respectable £329 and offers 1:1 magnification ratio (this is true macro,) fantastic image quality, and a host of technical features to make your life easier. This includes image stabilisation for those lower shutter speeds and a silent autofocus motor to avoid scaring off any small animals you may be photographing.
I'd recommend every photographer trying out macro photography, as it opens up a whole new appreciation for things like depth of field, distractions, and composition. This is a great place to start as well, with the Sigma 105mm f/2.8 [insert jumble of letters here] being at an affordable price point but offering a ton of high-end features and excellent image quality.
What's more, if you decide macro photography isn't for you you're still left with a beautiful lens for portrait and woodland photography.
Best for shooting... Landscapes, architecture, and astrophotography
This is about as good as it gets for landscape photographers. The Nikon 14-24mm f/2.8G offers a super wide angle view on full frame cameras and a still acceptably wide perspective on cropped sensors.
As far as image quality goes it's the market leader in wide-angle zoom lenses, offering excellent sharpness throughout the frame and across almost all apertures. In addition, the wide maximum aperture of f/2.8 makes this an ideal astrophotography lens as well. In fact, it's the best astrophotography zoom lens around, only bettered by the super wide-angle primes that were built almost specifically with astrophotography in mind.
As you would expect from such a high-end lens it comes with some extra features, such as the Extra-low Dispersion glass and the Silent Wave Motor autofocus system. It's also weather sealed and constructed as professionally as any lens on the market. It really is a work of art.
But, that work of art does come with the price tag to match. It costs £1,600 new, but if you're serious about your wide-angle photography it's a purchase you won't regret!
Best for shooting... Wildlife, pets, landscapes, weddings
The trusty 70-200mm lens is a staple in every professional photographers bag. It offers a hugely versatile focal range that can cover everything from portraits, candid wedding shots, wildlife, and distant landscapes. In addition, the wide f/2.8 maximum aperture gives it great low light potential, not to mention the selective focus when used in wildlife and wedding photography. Of course, these lenses are fairly bulky and heavy, but they are optically excellent and useful in every photography situation.
Up until recently the Canon and Nikon versions of the 70-200mm f/2.8 were market leaders due to their supreme quality, but recently Tamron have upped their game. The newest iteration, their Tamron SP 70-200mm f/2.8 Di VC USD G2, is the best quality 70-200mm that money can buy.
It beats out the Canon and Nikon equivalents across the board and is just £1,349 compared to Nikon's outrageous £2,300 price point. There really is no reason not to buy the Tamron over any of it's competitors!
Expanding Your Nikon Arsenal
As you may have already found out there are dozens, if not hundreds of lenses compatible with your new Nikon. Most of them are good, some of them are excellent, a few are terrible. It's always best to do your research before buying, or in this case let somebody else do it for you!
And remember, you often get what you pay for in photography. Apart from in the case of the fast standard primes such as 35mm and 50mm f/1.8s, if it looks too cheap to be true, it probably has something wrong with it.