Last autumn, our team spent a week camped out in the Scottish Highlands, waiting for the right light to break through a stubborn wall of cloud. On the third morning, it finally happened — and the resulting shot reminded us exactly why we fell in love with landscape photography in the first place. That trip also reminded us how much we owe to the best landscape photographers to follow online, whose work pushed us to visit that location and taught us the patience to wait for that moment.
Following talented landscape photographers isn't just about filling a social media feed with pretty pictures. It's a genuine education — a masterclass in composition, light, patience, and post-processing that unfolds one post at a time. We've compiled this guide to share the photographers who have shaped our own shooting, along with practical advice on how to actually learn from them rather than just passively scroll. Whether someone is just getting started or has been shooting for a decade, studying great work remains the single fastest way to level up.
This list spans a wide range of styles — from moody minimalism to saturated epics — because we firmly believe that creative growth comes from exposure to diverse approaches, not from copying one person's look.
Contents
One of the first things anyone notices when following the best landscape photographers to follow on Instagram is their gear. It's natural to wonder whether a better camera or lens would close the gap. The honest answer? Gear matters less than most people think — but it doesn't matter zero. Understanding what working professionals use helps set realistic expectations and avoid costly mistakes.
Most of the photographers on our list shoot full-frame mirrorless systems. Sony, Nikon, and Canon dominate, with a handful of medium-format holdouts shooting Fujifilm GFX bodies. The common thread isn't brand loyalty — it's dynamic range and weather sealing. Landscape work demands sensors that can handle extreme contrast between shadow and highlight, and bodies that won't die in rain, snow, or salt spray.
That said, we've seen stunning landscape work come from Micro Four Thirds cameras and even smartphones. The photographer behind the camera always matters more than the sensor inside it. Anyone serious about gear research should check out our guide to the best Fujifilm lenses for one system's perspective on what glass delivers in the field.
Wide-angle zooms in the 14–24mm range remain the workhorse choice. But here's what surprised us: many of these photographers do their most compelling work with mid-range telephotos — the 70–200mm bracket — isolating layers in a scene rather than trying to capture everything at once. Filters are another universal. Circular polarizers and graduated ND filters show up in nearly every serious landscape kit. A solid tripod is non-negotiable for the slow shutter speeds that define golden hour and blue hour shooting.
| Photographer Style | Typical Focal Length | Common Filters | Tripod Priority |
|---|---|---|---|
| Epic wide-angle | 14–24mm | GND, CPL | Essential |
| Telephoto compression | 70–200mm | CPL | Essential |
| Minimalist / fine art | 24–70mm | 10-stop ND, GND | Essential |
| Adventure / expedition | 16–35mm | CPL | Lightweight travel |
| Astro-landscape | 14–20mm (fast prime) | Light pollution | Essential |
Scrolling past a beautiful image and double-tapping does absolutely nothing for creative growth. Our team has developed a deliberate approach to studying landscape photography that actually builds skill, and it starts with slowing down.
When we find an image that stops us mid-scroll, we spend at least two minutes with it. Where's the light coming from? What time of day and season does this suggest? What focal length created that compression or that sense of depth? Asking these questions trains the eye to see composition choices rather than just pretty scenery. We jot notes in a dedicated folder — nothing fancy, just quick observations about what makes each shot work.
Pay attention to what's excluded from the frame, too. Great landscape photographers are ruthless editors. They don't show everything — they isolate the story. That discipline is worth studying more than any single technique.
We keep a curated folder of saved images organized by mood and technique: "leading lines," "atmospheric fog," "telephoto layers," and so on. Before heading out to shoot, we review the relevant folder. It primes the brain to notice similar conditions in the field. This isn't about copying — it's about expanding the visual vocabulary so that more creative options surface in the moment.
Pro tip: Save landscape photos that make an emotional impact before analyzing why they work. If a shot moves something in the gut, study it. That emotional response is the whole point of photography, and reverse-engineering it teaches more than any tutorial.
Following the best landscape photographers to follow is a starting point, not a destination. The real payoff comes from sustained, structured engagement over months — not a weekend binge of Instagram scrolling.
Our team dedicates thirty minutes every Sunday to reviewing what our followed photographers posted during the week. We pick one image that challenged our assumptions and write a short paragraph about it. This sounds like homework. It is. And it works dramatically better than passive consumption. Over six months, these notes become a personal textbook of landscape composition principles.
Pairing this study habit with regular shooting is critical. Knowledge without practice is trivia. We aim for at least one dedicated landscape session per week, even if it's just a local park at sunrise. The editing workflow afterward is equally important — our guide to Lightroom export settings covers the technical side of getting finished images ready for sharing.
Every landscape photographer hits a wall where their work starts looking the same. The cure is almost always exposure to a radically different style. If someone has been shooting wide-angle epics for a year, following a minimalist like Michael Kenna can crack the whole thing open. If moody and dark is the comfort zone, studying the vivid color work of Marc Adamus introduces new possibilities.
We've watched countless aspiring landscape shooters fall into the same traps when they start following professional photographers online. These mistakes are avoidable — but only if someone recognizes them early.
The single biggest mistake is trying to recreate another photographer's signature shot frame-for-frame. Standing in the exact same spot at the exact same time with the same settings produces, at best, a lesser version of someone else's vision. The goal is to absorb principles — not replicate pixels. Study why a composition works, then apply that understanding to original scenes. This is the difference between a student and a forger.
Our team fell hard into this trap early on. We chased specific locations we'd seen on Instagram instead of exploring our own backyard. The irony? Some of our strongest portfolio images came from places within twenty minutes of home, once we stopped trying to be someone else.
More isn't better. Following three hundred landscape photographers creates visual noise, not education. We recommend keeping the active follow list to fifteen or fewer — which, conveniently, is exactly what this post delivers. Rotate photographers in and out every few months to keep the feed fresh without overwhelming it. Depth beats breadth every time.
Warning: Social media algorithms reward engagement, not quality. The most-followed landscape accounts aren't always the most technically skilled — they're often the most consistent posters. Seek out photographers whose work challenges rather than just pleases.
Here's our curated list of the best landscape photographers to follow for genuine creative growth. We've organized them by style to make it easy to find photographers who'll push specific boundaries. Each one brings something different to the table, and we recommend following at least one from each category.
Marc Adamus is the gold standard for dramatic mountain and wilderness photography. His compositions combine extreme conditions with technical mastery of light — the kind of work that makes people question whether it's a photograph or a painting. He's selective about what he shares, which makes every post worth studying.
Max Rive pushes the boundaries of what's possible with adventure-landscape fusion. His images place human figures against impossibly vast mountain scenes, creating a sense of scale that most photographers struggle to achieve. The physical effort he puts into reaching his vantage points is part of the story.
Daniel Kordan consistently delivers otherworldly landscape images from locations most people will never visit. His mastery of auroras and extreme weather photography is unmatched. Ted Gore brings a painter's eye to his compositions, with a color palette and light sensitivity that set his work apart from the typical landscape feed. Artur Stanisz specializes in misty, atmospheric forest and mountain scenes from the Carpathians that demonstrate how powerful restraint and mood can be.
Michael Kenna is a living legend of minimalist landscape photography. His long-exposure black-and-white work strips scenes down to their emotional essence. Studying Kenna's compositions teaches more about negative space and simplicity than any workshop. His approach to landscape photography as fine art has influenced generations.
Benjamin Graham takes a quieter approach — soft pastels, gentle coastlines, and an almost meditative stillness that permeates every frame. His work is proof that landscape photography doesn't need drama to be powerful.
Akos Major blends minimalism with surreal geometry, creating images that feel more like abstract art than traditional landscapes. Hengki Koentjoro works primarily in black and white with an Indonesian perspective, producing ethereal fog-draped scenes that are instantly recognizable. Rachael Talibart has carved a niche with her dramatic wave photography — capturing individual waves as sculptural forms against moody skies.
Chris Burkard practically invented the adventure-landscape genre on social media. His surf-and-mountain crossover work from Iceland, Norway, and the Faroe Islands has inspired an entire generation to combine travel with serious photography. Anyone planning a photography trip should also read our guide to stunning photo locations in Iceland for practical location research.
Alex Strohl brings a raw, documentary-style honesty to adventure landscape work. His images feel lived-in rather than staged, which gives them an authenticity that's increasingly rare. Tobias Hägg (Airpixels) pioneered drone landscape photography before it became mainstream, and his aerial perspective continues to reveal compositions invisible from ground level.
Konsta Punkka blends wildlife with landscape in a way that adds narrative depth to every scene. Tiffany Nguyen combines vibrant color with a strong sense of place, and her behind-the-scenes content is genuinely educational — she's one of the few adventure photographers who consistently explains her process.
Following talented photographers is worthless if it doesn't translate into better personal work. Our team has refined a process for converting passive inspiration into active skill development, and it starts the moment the camera comes out of the bag.
Before each shooting session, we pick one specific technique or compositional idea observed from a photographer we follow. Just one. The session's goal is to experiment with that single concept. Trying to implement five new ideas at once leads to paralysis and mediocre results. Constraint breeds creativity — and giving each session a clear learning objective transforms casual shooting into deliberate practice.
Keep a simple shooting journal. After each session, note what worked, what didn't, and which photographer's influence was in play. Over time, these notes reveal patterns in personal growth that aren't visible shot-to-shot. This practice has been more valuable to our team's development than any single piece of gear.
Sharing work in photography communities tied to specific photographers can accelerate learning enormously. Many of the photographers on this list run workshops, Patreon groups, or Discord servers where they offer direct feedback. That kind of mentorship — even in a group setting — is worth more than a new lens. Our team has also found that teaching others forces a deeper understanding of the principles we've absorbed from these photographers.
Our team recommends at least thirty minutes per week of deliberate study — not casual scrolling, but focused analysis of composition, light, and technique. Pairing this with one weekly shooting session where those observations are applied creates a feedback loop that produces noticeable improvement within two to three months.
Both serve different purposes. Following similar-style photographers refines existing skills and reveals subtle techniques within a familiar framework. Following radically different styles breaks creative ruts and introduces approaches that would never occur otherwise. Our team maintains a mix — roughly two-thirds similar, one-third wildly different — and rotates the list every few months.
Several do. Marc Adamus, Daniel Kordan, and Chris Burkard all run field workshops in stunning locations, though they tend to sell out quickly and carry premium price tags. Alex Strohl offers online courses that are more accessible. Michael Kenna occasionally leads workshops through gallery partnerships. Our advice is to start with free content and only invest in paid mentorship after identifying which photographer's approach aligns most closely with personal creative goals.
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About Alex W.
Alex is a landscape, equine, and pet photographer based in the Lake District, UK, with years of experience shooting in one of Britain's most photographically demanding natural environments. His work has been featured in Take a View Landscape Photographer of the Year, Outdoor Photographer of the Year, and Amateur Photographer Magazine — publications that reflect a serious, competitive standard of image-making. At Click and Learn Photography, he shares the camera settings, gear choices, and compositional techniques he has developed through real-world shooting and competition-level work.
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