Last week, our team spent an entire afternoon sorting through a folder of 200+ downloaded presets that had been sitting untouched for months. The files were scattered across three different directories, half were in formats we didn't recognize, and we couldn't figure out why Lightroom refused to see any of them. It was a mess — and it's a problem we hear about constantly. Learning how to install Lightroom presets correctly the first time saves hours of frustration and unlocks one of the most powerful features in Adobe's editing ecosystem. For anyone just getting into post-processing, our photography beginners section covers the fundamentals worth mastering before diving into presets.
Presets are essentially saved recipes of editing adjustments — exposure, white balance, tone curves, color grading, sharpening, and more — bundled into a single file that can be applied to any photo with one click. They're the reason professional photographers can edit thousands of images with a consistent look in a fraction of the time manual editing would take. Whether the goal is a moody landscape aesthetic or a bright, airy portrait style, presets serve as a starting point that most people can customize to fit their vision.
The installation process itself is straightforward once the differences between Lightroom versions and file formats are understood. But there are enough small gotchas — wrong file types, incorrect folder paths, version incompatibilities — that a clear walkthrough makes all the difference. That's exactly what this guide delivers.
Contents
At their core, Adobe Lightroom presets are configuration files that store a set of Develop module adjustments. Think of them as a saved state of every slider, curve, and calibration setting in the editing panel. When applied, the preset instantly moves all those sliders to the saved positions. This is fundamentally different from filters in apps like Instagram — presets are non-destructive, fully adjustable, and work with RAW files to preserve maximum image data.
One of the first points of confusion most people encounter is the file format. Older presets use the .lrtemplate extension, while newer ones use .xmp. Here's the breakdown:
Lightroom Classic automatically converts .lrtemplate files to .xmp upon import, so backward compatibility is rarely an issue. The reverse isn't true — older Lightroom versions cannot read .xmp presets natively.
Adobe maintains two desktop versions of Lightroom, and the installation process differs between them. Lightroom Classic is the full-featured desktop application with local file management. Lightroom CC (now just called "Lightroom") is the cloud-based version with a simplified interface. Our team primarily works in Classic for its catalog management and tethering capabilities, but the cloud version has closed the gap significantly. The installation method varies enough between the two that we cover each separately below.
Presets are not a universal solution. Our team has strong opinions on this: they're excellent accelerators but terrible crutches. Understanding when to reach for a preset — and when to edit from scratch — is the difference between efficient editing and lazy editing.
Fine art work, competition entries, and images destined for print portfolios deserve individual attention. Our experience with the sky replacement debate taught us that automated tools — presets included — work best as starting points, not endpoints. Landscape photographers in particular should be cautious about applying the same tone curve to a sunrise shot and a forest interior. The lighting conditions are so different that a single preset will flatten one or the other.
Mixed-lighting situations also tend to fight presets. A reception hall with tungsten overheads, LED DJ lights, and camera flash hitting the same scene will confuse any white balance preset immediately.
Before learning how to install Lightroom presets, getting the files organized saves significant headaches down the road. Most people download a zip file, extract it, and dump the contents into whatever folder their browser defaults to. That's a recipe for lost files and duplicated installs.
Free presets are everywhere, but quality varies wildly. Here are the sources our team trusts:
Avoid presets that only show results on heavily stylized studio shots — they rarely translate to real-world conditions. Anyone serious about shooting in RAW will get far more mileage from presets designed for RAW files specifically.
Our team maintains a dedicated directory structure for presets outside of Lightroom's default location. This serves as a backup and makes reinstallation trivial.
| Folder | Contents | Purpose |
|---|---|---|
| Presets/Landscape | .xmp files for nature, outdoor, scenic | Sorted by genre for quick access |
| Presets/Portrait | .xmp files for skin tone, studio, natural light | Separate from landscape to avoid misapplication |
| Presets/B&W | .xmp files for monochrome conversions | Black-and-white presets that work across genres |
| Presets/Film | .xmp files emulating analog film stocks | Kodak, Fuji, Ilford emulations |
| Presets/Custom | Personally created .xmp files | Our own presets built from scratch |
| Presets/_Archive | Old .lrtemplate files, unused packs | Kept for reference, not imported |
This structure mirrors how we organize preset groups inside Lightroom itself. When a new pack arrives, the files go into the appropriate genre folder first, then get imported into Lightroom. If something goes wrong with the catalog, the backup folder makes recovery painless.
This is the core of the guide. The process differs depending on which version of Lightroom is installed, so we've broken it down into three clear paths. Regardless of version, always extract zip files completely before importing — Lightroom cannot read presets from inside compressed archives.
Lightroom Classic offers two installation methods. The first is the official import dialog, and the second is manual file placement. We recommend the import method for most people.
Method 1 — Import via Develop Module:
Method 2 — Manual File Placement:
Manual placement gives more control over folder naming and organization. It's the method our team prefers for large preset libraries because the import dialog can be slow when handling hundreds of files at once.
The cloud-based Lightroom (CC) handles presets differently because everything syncs through Adobe's servers.
The cross-device sync is the biggest advantage of the CC method. Install presets on a desktop, and they appear on a tablet or phone within minutes. This is especially useful for photographers who do rough edits on mobile during a shoot and refine on desktop later.
Mobile installation without a Creative Cloud subscription requires a workaround using DNG files. With a subscription, presets installed on desktop sync automatically — no extra steps needed.
For the DNG method:
It's tedious for large packs, but it works. The DNG method is the only option for free Lightroom Mobile users who don't have cloud sync.
Installing presets is step one. Using them effectively is where the real value lives. Our team has developed specific workflows for different shooting scenarios that demonstrate how presets fit into a broader editing process.
For landscape work, we typically start with a preset that handles the base tone curve and color grading, then manually adjust exposure, highlights, and shadows for the specific light conditions. Anyone exploring landscape photography — especially those following guides like our landscape photography planning guide — will find that presets work best when the shooting conditions are planned for in advance. Consistent golden-hour shooting means consistent preset results.
Our landscape preset workflow typically follows this pattern:
Portrait presets are where consistency matters most. A client expects every photo from a session to look like it belongs in the same set. We apply the preset to one representative image, dial in the skin tone adjustments, then sync those settings across the entire series. The key is picking a preset that handles skin tones well under the specific lighting used. A preset built for natural light will produce muddy skin tones under mixed artificial lighting every single time.
Event photography takes this further — multiple lighting scenarios in a single shoot. Our approach: sort images by location or lighting first, apply different presets to each group, then manually match the overall brightness and contrast so the final gallery feels cohesive despite the technical differences.
Most people install presets, apply them at full strength, and call it done. That's leaving performance on the table. Presets are meant to be a foundation, not a finished product.
Every preset should be adjusted after application. Here are the sliders our team checks every time:
A good rule of thumb: if applying a preset and exporting without any manual adjustment, the preset is doing too much or the photographer is doing too little. The sweet spot is a preset that gets the image 70% of the way there.
Once the adjustments after applying a preset become repetitive — meaning the same tweaks happen every time — it's time to create a custom preset that incorporates those changes. In Lightroom Classic, simply adjust an image to the desired look, click the "+" next to Presets, choose "Create Preset," select which settings to include, and save. We recommend excluding exposure, white balance, and crop from custom presets since those are always image-specific.
Over time, a library of personal presets built from real editing patterns will outperform any downloaded pack. They're calibrated to specific gear, shooting conditions, and aesthetic preferences. That level of personalization is impossible to buy.
Even when the steps above are followed precisely, things can go wrong. Here are the most common issues our team encounters and exactly how to resolve them.
This is by far the most reported problem. In our experience, the cause falls into one of these categories roughly 95% of the time:
Sometimes presets install fine but produce results that look nothing like the advertised preview. Common causes include:
When a preset looks completely wrong, our first troubleshooting step is always to reset the image to defaults (Ctrl+Shift+R), verify the camera profile, then reapply. That alone fixes the issue more than half the time.
Understanding how to install Lightroom presets is the mechanical part. Knowing where they fit into a real photography practice is where the value compounds. Here are concrete applications segmented by experience level and use case.
Batch processing is the strongest practical argument for presets. Our team's workflow for a typical landscape shoot looks like this:
This process takes our team roughly 15 minutes per 100 images versus 45+ minutes editing each from scratch. The composition fundamentals still matter more than any preset — a poorly composed shot edited with a beautiful preset is still a poorly composed shot. But for well-captured images, presets eliminate the repetitive mechanical work so more time can go toward creative decisions.
For anyone doing client-facing work — real estate photography, product shots, social media content — presets enforce brand consistency. A real estate photographer applying the same bright, clean preset to every listing ensures the portfolio looks professional and cohesive. Product photographers can build presets that match a client's specific color palette and apply them across hundreds of product shots.
The branding angle extends to personal projects too. Instagram photographers who maintain a consistent feed aesthetic almost universally rely on presets. The look becomes recognizable. Followers associate that color grading with the photographer's identity. That kind of visual branding is difficult to maintain manually across hundreds of posts but trivial with a well-designed preset.
Yes, as long as both applications are updated to versions that support the .xmp format. Lightroom Classic (7.3+) and Lightroom CC both use .xmp presets natively. Exporting a preset from Classic produces an .xmp file that CC can import directly. The only caveat is that some Classic-specific features (like Print module adjustments) have no equivalent in CC, so those settings are simply ignored during import. For most Develop module presets, cross-compatibility is seamless.
In our testing, Lightroom Classic handles up to around 2,000–3,000 presets without noticeable slowdown on a modern system with 16GB+ RAM. Beyond that, the Presets panel begins to lag when scrolling, and hovering over presets for the live preview becomes sluggish. Lightroom CC tends to handle large preset libraries better due to its lighter interface. Our recommendation is to keep the active library under 500 presets by disabling or removing packs that aren't in regular rotation.
Some are, most aren't. The difference usually comes down to refinement and range. Paid preset packs are typically tested across diverse camera bodies, lighting conditions, and subject types. Free presets are often built from a single photographer's specific setup and may only look great under those exact conditions. That said, Adobe's built-in presets and the free packs from established photographers like Peter McKinnon or Pat Kay are genuinely excellent. Our advice: start with free presets to learn what styles appeal, then invest in a paid pack that matches the specific genre and shooting conditions being targeted.
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About Alex W.
Alex is a landscape, equine, and pet photographer based in the Lake District, UK, with years of experience shooting in one of Britain's most photographically demanding natural environments. His work has been featured in Take a View Landscape Photographer of the Year, Outdoor Photographer of the Year, and Amateur Photographer Magazine — publications that reflect a serious, competitive standard of image-making. At Click and Learn Photography, he shares the camera settings, gear choices, and compositional techniques he has developed through real-world shooting and competition-level work.
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